The world is too much with us
This sonnet is one of the best compositions by William Wordsworth that connects man with nature.
It was written in 1802 but first published in 1807 in Poems, in Two Volumes . The popularity of the poem rests in its theme of how man has lost his connection with nature due to the worldly concerns. This change in man has taken away their pleasures, joys, and comforts of the peaceful nature.
Analysis
The world is too much with us: late and soon,
Getting and spending, we lay waste our powers
He is talking about worldly cares and concerns such as money, possessions, and power. And he concludes that it is “too much with us” meaning that we care far too much about these worldly things.
They are tied up in their greed for more money and their time is accounted for by their actions of getting money, spending money, and caring for their possessions. He believes that money and worldly possessions are far more important to people than they should be.
He reveals that very few things that people see in Nature actually belong to them. He then laments, “We have given our hearts away”.
He believes that where we should enjoy nature, though it is not ours to own, instead we are filled with greed and we acquire wealth and worldly possessions rather than enjoying nature.
The speaker then continues by describing the beauties of nature that people are missing out on by being so caught up in the want for money and possessions.
His description of these parts of nature use personification to help the reader to connect with each description.
The sea “bares her bosom to the moon” which suggests an intimacy between the moon and the sea.
The winds “howl”. This gives the wind human emotion.
The flowers “sleep”. Giving these parts of nature human attributes helps the reader to feel this connection with nature.
It paints a picture of nature and allows the reader to understand what he is missing out on by being caught up in worldly possessions and greed.
Here, the speaker swears an oath that he would rather be a poor pagan than be so distracted by worldly wealth so as to render himself unable to enjoy the true beauties of life.
He appeals to God and even exclaims that he would rather be a pagan than to be out of touch with nature.
Suckled here means 'raised', or 'brought up '. Outworn means old-fashioned or outdated. So it means 'I'd rather be a Pagan brought up in an outdated religion'.
In the phrase "I'd rather be Pagan suckled in a creed outworn," he states that he would rather be brought up to believe in the Greek myths, even though he knows they are untrue, than to be so busy making and spending money that he loses his connection with nature.
In these final lines, the speaker reveals that if he were a poor pagan, he would have “glimpses” of nature that would give him joy and hope, or at least make him feel “less forlorn”.
He would rather be poor and helpless and connected with nature than rich and powerful and alienated from it.
In the final two lines, he refers to two pagan gods. Proteus was thought to be able to tell the future, though he avoided doing so if he could.
The speaker implies that had he been a pagan, perhaps he could imagine being in touch with Proteus, or at least catching a glimpse of him as he stares out across the sea.
Triton was the pagan god that was said to be able to calm the waves of the sea. "Wreathed" means something like twisted, sinewy, having coils; the "wreathed horn" is a reference to Triton's conch shell. This implies that the speaker looks out at the sea, enjoying nature, long enough to see Triton and Proteus.
Literary Devices
literary devices are used to bring richness and clarity to the texts. The writers use them to make their texts appealing and meaningful.
Wordsworth, too, has employed some literary devices to bring uniqueness in this sonnet. The analysis of some of the literary devices used in this poem is given below.
- Enjambment: It is defined as a thought in a verse that does not come to an end at a line break; rather, it rolls over to the next line. For Example,
- Personification: Personification is to attribute human characteristics to non-human or even inanimate objects.
- Allusions: Allusion is an indirect or direct reference to a person, place, thing or idea of historical, cultural, political or literary significance. This poem contains allusions to Greek mythology,
- Imagery: The use of imagery makes the readers visualize the writer’s feelings, emotions or ideas. Wordsworth has used images appealing to the sense of hearing such as, “winds that will be howling “to the sense of touch as “sleeping flowers;” and to the sense of sight as “Proteus rising from the sea.”
- Consonance: Consonance is the repetition of consonant sounds in the same line such as the sound of /s/ in “Have sight of Proteus rising from the sea” and /f/ and /t/ sounds in “For this, for everything, we are out of tune.”
- Simile: Simile a device used to compare something another thing to let the readers know what it is. There is only one simile used in line seven of the poem, “And are up-gathered now like sleeping flowers;” The poet has linked the howling of the winds with the sleeping flowers.
- Metaphor: There are two metaphors used in this poem. One of the metaphors is in the tenth line, “Suckle in a creed outworn.” Here creed represents mother that nurses her child
- Assonance: Assonance is the repetition of vowel sounds in the same line such as /o/ sound in “Or hear old Triton blow his wreathed horn”. The careful glimpse of this analysis shows that the poet has skillfully projected his ideas using the above devices.
Poetic Devices
Poetic and literary devices are the same, but a few are used only in poetry. Here is the analysis of some of the poetic devices used in this poem.
- Sonnet: A sonnet is a fourteen-line poem in with one idea flow throughout the text. There are many types of sonnets such as Petrarchan or Shakespearean. This one is Petrarchan sonnet.
- Octave: An octave is a verse form consisting of eight lines, which usually appear with iambic The first of the sonnet is octave that starts from “The world is….and ends on “… out of tune.”
- Sestet: A sestet is the six-line stanza of poetry. The term refers to the final six lines of a sonnet such as the second part of this sonnet.
- Rhyme Scheme: The whole poem follows ABBA ABBA rhyme pattern in the octave and CDCDCD rhyme scheme in the sestet.
- Iambic Pentameter: It is a type of meter consisting of five iambs. The poem comprises iambic pentameter such as, “A Pagan suckled in a creed out.”